Friday, 7 August 2009

DVD Review Special: Watching The Watchmen

Watchmen
Zack Snyder
Paramount Home Entertainment
Review by Rob Wade

In 2009, the world finally saw the release of the film version of Watchmen, possibly one of the most controversial comic book adaptations in recent history. Directed by Zack Snyder of 300 fame, and penned by David Hayter (better known as Solid Snake from Metal Gear Solid, or “The Geek’s Geek”), the movie teased the possibility of being able to do the impossible and make a movie out of Alan Moore’s classic graphic novel.

Whether or not they succeeded is a different story.

Ultimately, my opinion should be judged by the fact that although I am a massive fan of the graphic novel version of Watchmen, I never felt like the film version was impossible with the right actors, director and technology in place. I would have probably been more sceptical if V for Vendetta hadn’t turned out to be one of those movies that I really quite enjoyed after watching it.

The story of Watchmen opens in an alternative reality 1985, where Nixon is still president and superheroes have been part of the cultural landscape for decades, with the death of Edward Blake. However, upon closer inspection of Blake’s apartment by the masked vigilante Rorschach, he discovers that Blake was in fact the superhero known as The Comedian, and begins to suspect a diabolical plot to eliminate the superheroes known as the Watchmen in order to prevent them from interfering in world affairs.

Let’s get right to it: I enjoyed this movie. I thought that as a movie, it was enjoyable, and I didn’t feel like nearly three hours had passed. It may sound strange, but I feel that if you can watch a movie all the way through and it doesn’t feel as long as it is, it’s because it’s well made.

I also felt that stylistically the movie has a good feel to it. Dr Manhattan’s special effects were always going to be a difficult one to do, but I feel that they carried it off extremely well. He fits very seamlessly into the environment, with no signs of any dodgy CG. True, there is the over-use of blood as you’d expect from a Zack Snyder movie, but it seems to fit better into the style rather than detract from it.

The acting in this movie is a point of slight contention however, as there is very much a mixed bag in place here. Jackie Earle Haley is phenomenal as Rorschach, really capturing the essence of the character well. Jeffrey Dean Morgan is also good as The Comedian, staying pretty true to the roots of the character. However, I have to say that I didn’t enjoy the performance of Silk Spectre. Having said that, I didn’t particularly care for her in the graphic novel either, so maybe that goes some way towards explaining that. More could have been done with the character of Ozymandias as well, as he really doesn’t seem to get a lot of screen time.

The Emotionally Fourteen Movie Rating:
Violence:
A large amount of over the top violence and blood.
Sex/Nudity: You’ll never look at Leonard Cohen in the same way.
Swearing: A fairly large amount, but never anything that seems tremendously out of place in context.
Summary: Ultimately, I would argue that as movies go, Watchmen is a very entertaining movie. Not the traditional superhero fare, and people will argue that The Dark Knight did the darker superhero movie first (at least, people who’ve never read Watchmen will). As an adaptation, it is the best it could possibly be. 7/10



Review by Brad Harmer

Making this movie, anyone involved had to realise one thing: this project was never going to please everyone. I, much to my surprise, was pleased some of the time. From the outset, my opinion on making a movie version of Watchmen was “Don’t. It makes no sense.”. Watchmen needs to be a graphic novel – it’s tied into the very fabric of what it is. Any attempt to transpose it to another artistic medium will only result in a bastardised Hollywood superhero movie. Making a movie adaptation of Watchmen makes about as much sense as a TV Series adaptation of the Mona Lisa.

The thing that I felt was done incredibly well was the flashback sequences. All of those at The Comedian’s funeral, as well as Dr Manhattan’s segment on the moon were all amazing. They captured the tone of the original, and worked as magnificent pieces of cinema in their own right. The rest of it, however, all too often feels to be lacking something, and rather unfortunately, ends up as just another Hollywood superhero movie, despite what its supporters may think.

The violence, with a few excellent exceptions, is hilariously overblown. During the Vietnam sequence involving The Comedian and Dr Manhattan, I was impressed by how uncompromising the whole thing was. Come the rumble in the alleyway between Silk Spectre, Night Owl and the muggers, however, and I was spectacularly unimpressed by how ridiculously over the top it was. It’s like Snyder had a huge vat of digital blood he needed to get through before it went off. Not realising that it couldn’t go off, as it was just a sequence of ones and zeroes.

My main gripe with the film is that it may tell the plot of Watchmen, but Watchmen is about so much more than that. It’s the surface of something far too deep for film. It was only to be expected (if not desirable) that elements would be removed from the movie for brevity’s sake. But the trouble with a piece like Watchmen is that everything fits so exactly, so perfectly and so necessarily together that using only part of it creates something about as sturdy and reliable as a one-legged chair.

All in all, this is a brave attempt at a different type of superhero movie. Unfortunately, it falls far short of the greatness of the book, or even the greatness of other superhero movies such as The Crow, The Dark Knight or even the Spider-Man movies.

The Emotionally Fourteen Rating:
Violence:
A lot. A lot of it is pretty graphic, and there’s more than enough blood spattering around the place to keep splatterpunk fans happy.
Sex/Nudity: One sex scene, but you don’t see all that much. Oh, yeah, and one of the superheroes is nude throughout almost the entire movie. I guess if you’re into Blue Dong®, then that’ll probably keep you going.
Swearing: A realistic amount. I can’t say I noticed all that much.
Summary: If you’re a fan of the book, then you can go your whole life without needing to see the movie version. If you’ve never read the book...then I’d recommend you read the book rather than watch the movie version. – 5/10

Review by Blake Harmer

This was always going to be a hard film for me to review. I am a big fan of the original Alan Moore comic, and when I saw that Zack Snyder was going to turn it into a movie I just couldn’t see how it could’ve been done. In my opinion, Watchmen had so many intricacies to it that it would be too impossible to just take the comic and use it as a storyboard like previous comic book adaptations such as Sin City and 300. However, Zack Snyder has done his best and has still managed to deliver an entertaining super hero film.

For those who haven’t read the comic or seen the film the plot is as follows: In 1985, New York City police are investigating the murder of Edward Blake who is a costumed hero known as the Comedian who was employed by the government and had many enemies. Costumed vigilante Rorschach learns of this news and believes someone is out to kill costumed adventurers and sets about warning his retired comrades from his superhero team The Watchmen. The plot then revolves around their lives and their troubles as well as them trying to find out who killed the Comedian.

The film adaptation does have it’s strength’s, I believe the casting of Rorshach is perfect with actor Jackie Haley captures the look, the voice and the feel of the psychotic vigilante as I had imagined him when I originally read the comic. I also think a lot of the scenes in the film capture the feel of the comic brilliantly such as the dream sequences, the telling of Dr Manhattan’s genesis, as well as some of the fight scenes (especially the one’s involving Rorschach). I can easily go as far to say that with a good casting and capturing a good amount of the comic’s essence, this is the best possible film adaptation that could have been done of the comic.

However, it is the films decision to try and stick as close to the comic as possible that leads to it having several flaws. This theatrical cut of the film is over two and a half hours long and sadly this heavily affects the pacing of the film as it feels drawn out and overlong in getting to the point, even with the fact that a lot of the backstory had been cut and the focus has been placed on the main storyline. However, the book is huge and I would have been even more angry if they had cut more out of it. A final gripe with the film is that it feels Zack Snyder over uses his style of cinematogrophy when it comes to the fight scenes, with slo-mo sound affects and over the top use of blood and wire work to show characters flying for miles when they get punched.

The Emotionally Fourteen Rating:
Violence:
Quite a bit of gore, with torture, attempted rape and over the top fighting with lots of blood spilling and bone breaking.
Sex Nudity: One sex scene not including the attempted rape, you do see lots of side boob with the silk spectre naked. However, this is countered by the fact that she is having sex with a fat and sweaty Nite Owl (read: Shonky Batman). That and Dr. Manhattan is pretty much naked for 90% of the film and Zack Snyder isn’t afraid to show off the superhero’s mighty CG blue dong.
Swearing: Realistic swearing but hardly noticeable throughout the film.
Summary: As I mentioned earlier, I cannot see Watchmen being adapted into a film any better than it has been done here. However, there are several flaws with the film, and it brings nothing new to the table to let me recommend it over the original comic. All in all, you are probably better off reading the comic than watching the Watchmen. 7/10


Thursday, 6 August 2009

DVD Reviews

17 Again
Burr Steers
Entertainment in Video
Available from 10th August on DVD and Blu-Ray
Review by Brad Harmer

In 1989, Mike O'Donnell (Zac Efron – The Derby Stallion, Triple Play) was a star athlete with a full college basketball scholarship. He though he had it all, until, right before the championship basketball game, his girlfriend, Scarlet, told him she was pregnant. He made the decision to throw everything away and proposed to her.

About twenty years later, Mike's (Matthew Perry – Fools Rush In, The Whole Ten Yards) life is floundering somewhat. Scarlet has separated from him, and he’s living with his geeky, but millionaire, best friend Ned Gold. His job is going nowhere, and his kids Maggie (Michelle Trachtenberg - Dragonlance: Dragons of Autumn Twilight) and Alex want nothing to do with him. Whilst paying a visit to Hayden High School to reminisce about the life he threw away, he encounters the mysterious janitor. On the way home, he is magically transformed back into his 17-year old self. With his friend Ned posing as his father, he re-enrolls in high school, believing he has been given the chance to live his life over again, "but to do it right". So far, so Big/Freaky Friday, right?

Sure, the premise is far from original – it’s just a slight twist on a tried and tested theme – but the execution is excellent. For one thing, it’s hilarious. Yes, I know it’s got the guy from High School Musical in it, so you want to hate it...but the fact is that it’s a funny film, and a good sized chunk of that is down to Efron. The “cringe” comedy is a little hit and miss, but the one-liners are worth sticking around for.

Even the romantic stuff is actually handled pretty well. It’s a high-school comedy, granted, but one of the few I can think of that actually makes you care for the characters as characters, rather than just being bipedal joke machines. Ned’s attraction to the Principal and their awkward, geeky romance is hilarious all the way.

Some parts of the story, though, feel a little undeveloped. Maggie seems a little too much of a one-dimensional, easily-bamboozled, stroppy-teenager cliché for someone who is a main character. Also, towards the end, the story wavers a little bit, as the writers try to cram in more turns than the plot can really handle.
With that said, this is still a damn good example of a body-swapping/high-school comedy. There’s more than enough geeky humour in here to make it worth checking out for the Emotionally Fourteen, even if you do have to sneak it home in a brown paper bag.

The Emotionally Fourteen Rating
Violence:
Several fist, sword and lightsaber fights. Some of it realistic, some of it played for slapstick laughs.
Sex/Nudity: A fair amount, to be honest. There’s a lot of implied activity, nudity and sexual tension. A lot of double-entendres, as is typical of the genre.
Swearing: IMDB counts ten sexual references, five scatological terms, eight anatomical terms, three mild obscenities, name-calling, and eight religious exclamations. That’s pretty good going.
Summary: Don’t let the clichéd story and the flavour-of-the-month movie star put you off. This is a really funny movie, and worth checking out for a good chuckle. 8/10


Best of Deathmatch Wrestling: Mexican Hardcore
Best Medicine

Now this is what harcore wrestling should be like! It’s easy to become over reliant on gimmicks in a wrestling match. The key to making a good hardcore match remains the same as for any other type of match – knowing what to do, and when to do it. For every shitty Jackass style hardcore wrestler giving the style a bad name, there are two or three no-one ever hears of who manage to work the gimmicks in, without turning it into a farce of exploding fluorescent light-bulbs. This compilation, for the most part, showcases some good stuff.

Unlike a lot of wrestling compilations that get very repetitive when they try and showcase a particular type of match or style of wrestling, The Best of Deathmatch Wrestling: Mexican Hardcore actually manages to keep it fresh and interesting. There are tag matches, table matches, inter-gender matches...all well-spaced, so that there are never two types of the same match back to back. This really helps breaks things up and keep the interest level high – it’s exactly how wrestling organisations arrange things on their live shows, too.

When the matches involve Luchadore wrestlers, the weapons don’t come into play all that much, and when they do, it really shows the “in character” impact, turning things around, with them as the spots of the match. Then there are matches that are just plain old weapons heavy brawling...but these are good too! It’s a difference style, but just as entertaining, showing that high violent deathmatches can also be good wrestling matches.

There are some things that let it down, however. The ordering of the matches is a little off at times – opening up with the second best match? Good call. Closing with one of the weakest? Bad call, especially as the penultimate one is the best one! Also, there’s some rather clumsy editing, which makes it feel like moves have been removed at strange times, throwing off the heat of the match, and generally being rather distracting.

Also, the commentary is rather amateurish, and I’m not sure it was necessary to have no-name grindcore and/or death metal playing in the background of every single match.

Another unusual feature of this DVD is that the special features are really good. Most wrestling DVDs features are rather lacklustre, either being a couple of rather dull shoot interviews, or a couple of matches from TV tapings that no-one really gives a crap about. On this though, you’re treated to several matches from US Hardcore fed XPW, and the complete home video release of Terry Funk’s Hardcore Legends. Now that there, is a quality item.

The Emotionally Fourteen Rating:
Violence:
Loads. In addition to wrestling there’s barbed wire, tables, light-tubes, chairs, tables, trashcans and all kinds of gubbins used as weapons.
Sex/Nudity: None. Unless you get aroused by a women’s hardcore match. You might.
Swearing: None in English.
Summary: A great compilation of hardcore wrestling, only let down by the low-budget limits under which is was shot and edited. Thankfully, this is volume one, so I’m hopeful volume two will be even better. 7/10

Wednesday, 5 August 2009

The Worst Games Brad Ever Played #2

As has been established in these pages before, I am a massive advocate of Unplugged Gaming over electronic gaming. This isn’t for any big political, philosophical or sociological reason – it’s simply because I prefer board games, card games, RPGs and war/sport simulations over electronic games. If those are your bag, fine – but these are mine.

A couple of weeks ago, I wrote an article on Night Trap, one of the worst video games I have ever played. This week, I decided to put the shoe on the other foot, and talk about one of the worst unplugged games I have ever played. And I’ve played a lot. This week’s instalment is a Waddingtons game from the mid-nineties called Ghostly Galleon.


The idea of this game was that once in a blue moon, a mysterious ghost ship rocked up in the nearby bay. It was said that on this boat lay treasure beyond your wildest imaginings. Unfortunately, the boat was also haunted by the ghost of the evil pirate Blackbeard. The players were all brave pirates, determined to sneak about the eponymous Ghostly Galleon and make off with Blackbeard’s treasure.

The whole game, unfortunately, is an exercise in style over substance, and the introduction of a ghost who is not so much a terrifying apparition of evil as a slight dickass, in a “Janitor from Scrubs” kind of way. Visually, the game is undeniably impressive. Part of the board is that bay, and then overlaying this, and providing most of the action, is a massive cocking plastic pirate ship, ragged sails flowing in the breeze. I know some people who’d be up for playing this game simply because it’s got a fucking pirate ship in it. This article is a warning.

The idea of the game is the players sneak onto the ship, where there are six treasure chests scattered around. Only one contains the treasure, however. The other six contain garbage, and one contains a parrot. Yup. A parrot. Anyway, all but one of the chests are locked, and you have to find that right key to unlock the chests. So, straight away your task has gone from “Find the treasure” to “find the key, find the right sort of chest that your key will open, hope that what is within is treasure of the gold-and-silver variety, rather than the garbage-or-popinjay variety, and then bug out without being caught out by Mister Tosser McPegLeg over there.”. The lesson? What appears to be depth often turns out to be a desperate attempt to cover up a lack of depth.

Firstly, Blackbeard does sod all. If Blackbeard manages to make it adjacent to a player, he makes them “Walk The Plank”. They fall in the water for one turn, and then climb back up again. The problem with Blackbeard however, is that he only moves if a player rolls a six on one of his movement dice; and then only if the player chooses to. This means that Blackbeard spends a large part of the game standing on the boat with his hands on his hips, glowing faintly, and staring off into the middle-distance.

If you think about that for more than about thirty seconds, you realise that what’s going to happen most of the time is that Blackbeard will force someone to walk the plank, then stand and stare like an underwear model whilst the same pirate just climbs back into the boat and walks behind him.

The parrot, in case you were wondering, was basically omnipotence in a can. He allowed you to just steal stuff willy-nilly from other players, look to see which key was required to unlock which chest, and you could even look inside any chest to try and divine where the treasure was. The more you think about that, the more you realise that any parrot with those abilities would be worth far more on the black market than any old chest of pieces of eight.

But like any good old galleon, this one came equipped with cannons. The one last ace up the sleeve of the Dread Pirate Noberts was his ability to fire the cannon...at certain parts of the board, anyway. They didn’t have a particularly good firing arc.

If you were lucky enough to be able to move Blackbeard, and lucky enough to get him so he could fire a cannon, and lucky enough for an opponent to be able to be hit by the particular cannon in question (I remember this happening twice in all the years I played it), then you were able to unleash massive damage. By massive damage I, of course, mean “make the opponent miss a turn whilst they duck for cover”. As this only ever happened when they were already off of the boat and running away with the treasure, it was never really a game breaker.

What was most galling about this game was that when you put all this together that you realise that for all its nice Britrash components and theme, the villain and challenge was so non-existent that the game basically boiled down into “walking onto a boat, picking something up, and leaving again”.

But for all its shoddiness, we kept playing it. Many, many times. The reason for this? Kids, contrary to what any parent may want to tell you, are fucking dumb.