Wednesday, 31 March 2010

Megan Fox: Hellbeast

I’ve only met Megan Fox the once, and frankly, that was enough.

Thanks to Bjorn and his +1 Burger Van of Temping, I found myself acting as her butler for the day. Yes, most butlers have to spend many years in training, and it’s a job that requires great skill. However, if you go to Bjorn for a butler, then frankly I’m the best you’re going to get. You don’t want to wind up with Humid William. Nobody wants to wind up with Humid William.

“You’ve buttled before, right?” asked Bjorn, as I sat down on a crate of holepunches.

“Aren’t you supposed to be my literary agent?”

He ignored my question. “You've buttled right? Didn’t you work for Natalie Portman once?”

“If by ‘buttled’ you mean ‘snuck into her room disguised as a bellboy’, then yes.”

Once again, there seems to be something of a blur between Bjorn offering me a job, and me arriving at my new place of work. I have often suspected that some form of hypnosis comes into play. That, or he just clubs me over the head with a length of pipe and bundles me into a taxi.

Rubbing the lump on the back of my skull, I looked over the large mansion in front of me.

I was only familiar with the work of Megan Fox through three films. Confessions of a Teenage Drama Queen, which I had caught the last half of on TV, and almost forgotten she was in. Transformers, which I could hardly see at all through the tears of joy in my eyes. Not because it was a great movie, but because I was glad they’d chosen to rape Transformers, instead of Masters of the Universe. The last movie of hers I’d seen was Jennifer’s Body, and that was one of those films that was okay, but made me crosser and crosser the more I thought about it afterwards.

I also understood that she was supposedly the most beautiful woman in the world right now. Although, if you were to ask me to pick a word to describe Megan Fox, it wouldn’t be “beautiful”. Her cold, dead eyes and plastic, clammy looking skin would, if anything, push me towards the word “cenobitey”.

Arriving at the mansion, I found the door unlocked. Pinned to a cork noticeboard in the hallway was a care sheet for Megan Fox, including the temperature and humidity she was to be kept at, how often she required misting, and how many crickets to expect her to consume in an hour.

Letting myself into the dining room, I found Megan Fox perched on the rafters, applying more hideous tattoos to herself with a felt-tip pen. “Hello, Miss Fox?” I called out to her. “I’m Rutger. The butler.”

Megan Fox scuttled down the wall to join me. “Ah, yes. Bjorn said he would be sending someone in a Gamma Bomb t-shirt.”

“Gamma Ray.”

“Whatever. Have you held a similar position before?”

I studied the laminated care sheet in my hand. “Uh, yeah. I had a pet frog for a while, and you seem to be pretty similar.”

This seemed to meet her approval, and she climbed back up the wall again, whilst I went through to the hall to check the mail.

There were several job offers for her, including some from various comic and cartoon franchises, which I shredded. It appeared, after all, that this might prove to be the easiest job I had ever had. I put my feet up on the table, leaned back in my chair, and studied the decomposing butler crucified to the ceiling.

It was at this point that I realised something was up.

Leaping bravely from my chair with a heroic whimper I looked up at the corpse of Megan Fox’s previous employee. I tried softly whispering “Hello? Are you all right?”, but there came no response, save for the gentle shuffling of a cockroach in the ex-serf's right eye socket.

I peered cautiously back into the room where Megan Fox was entertaining herself. She was holding the phone to her head the wrong way round and making strange mewling noises that imitated speech. “Um...Miss Fox?” I called out. “I’m going to take my break now.”

The cenobital actress ignored me, and climbed back up to the rafters.

I went to my car and took out the implements I needed. Well, I didn’t have what I needed, actually. I needed a crucifix, holy water and a bible, but I don’t tend to carry those sort of things around with me. I made do with my “What Would Henry Rollins Do?” bracelet, a copy of Holy Diver on tape, and my home-made Storm Bolter.

A lot of people ask me about my home-made Storm Bolter, assuming that it’s going to be some sort of gag. Something like two toilet roll tubes sellotaped together, that fires ping-pong balls from elastic bands. People who ask stuff like that then usually laugh derisively. People like that don’t know me. People like that are usually surprised when I show them my cast-iron, fully functioning Storm Bolter that I made in my garage. They are usually even more surprised when I use it to explode a passing squirrel.


I also put on my Solomon Kane Hat, which I always carry for such purposes.

I kicked open the front door, ready to kick some bad-acting arse. The house seemed quiet at first, but then a spatter of lightly acidic drool splashed onto the brim of my Solomon Kane Hat. Looking up, I saw Megan Fox on the ceiling above me, looking how she would have looked in Jennifer’s Body, if they’d picked someone who could do monster make-up, and someone who could act.

“The power of Dio compels you!” I cried, throwing the dodgy copy of Holy Diver at her, which bounced off of her head with a hollow “clack” sound. I ran into the house before she could land on top of me and eat my soul with her hungry, zombified face. As I ran, I turned to see her chasing after me across the ceiling like the alien in Alien 3. I fired my home-made Storm Bolter, and the massive bullet tore a lump out of her shoulder. She spun round in the air and collapsed to the floor.

I stood over her, the Storm Bolter trained on her at all times. “Nice try, Fox, but this is one butler who you’re not going buttle. Off of this mortal coil. Face.”

It wasn’t the best triumphant one-liner I’d ever had, but it came somewhere in the middle. I was surprised when she smiled up at me. “Oh, Rutger. You saved me from the demon that was possessing me, I’m now free to live my life!”

I smiled back. “That’s great, Megan. What are you going to do with your new found freedom!”

She smiled enthusiastically, “Well, I’m going to play SuperGirl in the next Superman movie! I’m auditioning for the part of Cheetara in the new Thundercats movie! And then, most exciting of all, I’m going to commence shooting Transformers 3: Childhood Memory Raping of the Dinobots! Available in cinemas everywhere, next sum...”

The final gunshot was an exclamation mark to everything that had led to this point. I released my finger from the trigger. And then it was over.

Tuesday, 30 March 2010

Book Reviews

Thirteen Years Later
Jasper Kent
Bantam Press

Available Now - £12.99 (Paperback)
Review by Brad Harmer

Bonaparte is long dead and the threat of invasion is no more. For Colonel Aleksei Ivanovich Danilov, life is calm. The French have been defeated, as have the twelve monstrous creatures he once fought alongside, and then against, all those years before. His duty is still to his tsar, Aleksandr the First, but today the enemy is merely human.

However, the tsar himself knows he can never be at peace. He is well aware of the uprising fermenting within his own army, but his true fear is of something far more terrible - something that threatens to bring damnation upon him, his family and his country. Aleksandr cannot forget a promise: a promise sealed in blood...and broken a hundred years before.

Now the victim of the Romanovs' betrayal has returned to demand what is his. The knowledge chills Aleksandr's very soul. And for Aleksei, it seems the vile pestilence that once threatened all he held dear has returned, thirteen years later.
Twelve, the predecessor to Thirteen Years Later, was an awesome swashbuckling horror novel that I described to friends, and anyone else who would listen as “Sharpe Vs Vampires”. Thirteen Years Later has taken that angle, but also produced a completely different novel. Darker, more complex, and (disbelieving as I was at first) better.

The change of style was a gamble that has paid off. Drawing for styles as diverse as pulp-horror, historical fiction and noir detective stories, it could have been a bit of a mess - devoid of any entity. Thankfully, this isn’t the case, and the elements all gel together to create something very different and unique.

It’s not a perfect novel – some sections drag their feet for a little too long, and Aleksandr (a major character) comes across as rather flat and lifeless, but it’s still worth the price of admission.

Fans of the original may be a little surprised at the direction it has taken, but by the end, they’ll be grateful for the excellent duology they now have.

The Emotionally Fourteen Rating:
Violence:
Realistic depiction of period warfare. Stabbings, combat, murderising, biting, blood-drinking and staking.
Sex/Nudity: Some mild sex scenes. With boobs.
Swearing: Some strong language.
Summary: Takes the story in a much darker direction than its predecessor, which makes for a bumpy ride, but pays off in the long run. 8/10

The Fog
James Herbert
Pan MacMillan

Available Now - £7.99 (Paperback)
Review by Brad Harmer

The peaceful life of a village in Wiltshire is suddenly shattered by a disaster which strikes without reason or explanation, leaving behind it a trail of misery and horror. A yawning, bottomless crack spreads through the earth, out of which creeps a fog that resembles no other. Whatever it is, it must be controlled; for wherever it goes it leaves behind a trail of disaster as hideous as the tragedy that marked its entry into the world.

The fog, quite simply, drives people insane.

The Fog is a scary, sex-laden, gore-dripping, skull-crushing horror novel. Or, that is to say, it was. The past thirty-five years since its original release have, rather unfortunately, not been kind to it. Its over reliance on scenes of graphic violence, once shocking, are now being delivered to a generation that sees similar kinds of conflict and depravity in video games. Deprived of its shock value, its rather more noticeable that this is basically a 1950s b-movie of a story.

With a scene in which someone is trampled to death by enraged cows.

The story itself is okay, and the sex and violence is still well presented and written, but it just hasn’t aged very well. Some scenes are scary, some will make you wince, but there’s just not enough substance to lift this above average.

The Emotionally Fourteen Rating:
Violence:
Several scenes of explicit violence, murder and gore.
Sex/Nudity: Two explicit sex scenes, some references to sexual deviancy.
Swearing: A realistic amount.
Summary: Once thought of as a horror classic, the years have not been kind to The Fog. It’s still a fun ride, but if you have fond memories, don’t revisit. It may not be as good as you remember. 6/10

The first volume of the much anticipated graphic novel adaptation of Stephenie Meyer's Twilight - this first in the four book global phenomenon The Twilight Saga - is out now!

The first of two volumes, Twilight - The Graphic Novel: Volume I contains selected text from Meyer's original novel with illustrations by Korean artist Young Kim. Stephenie Meyer consulted throughout the artistic process and had input on every panel.

Meyer said: "I've enjoyed working on this new interpretation of Twilight. Young has done an incredible job transforming the words that I have written into beautiful images. The characters and settings are very close to what I was imagining while writing the series."

Thanks to our friends at Atom, we've got three copies of Stephenie Meyer's Twilight - The Graphic Novel: Volume I to give away! For your chance of winning one, send us an e-mail to twilightcomicgiveaway@rocketmail.com with your name and postal address before midday on Tuesday 6th April (UK time). The first three names drawn out of the electronic hat will win a free copy!

Monday, 29 March 2010

Apple Snobs Can Cock Off

Firstly, I feel I have to clarify. As with most of the rants I aim at a specific portion of the public, I need to clarify that this is not a rant at Apple users in general, nor is it a knock on Apple as a business. This rant is very specifically tailored to those people I call "Apple snobs", or those who believe that just because Apple make a product, that inevitably makes it better than anything anyone else can do.

I present to you Exhibit A:

The Facebook group "Anything your PC can do, my Mac can do better." This group represents exactly the kind of thing I'm talking about. This group professes the message mentioned in the group name. Now, I'm not going to mention games, simply because it's been mentioned to death. Macs don't play many games, this much we know. Having said that, with some of the crap that comes out nowadays, you'd be forgiven for thinking occasionally that Mac users might just be getting a half-decent deal, even if they pay over the odds for their games.

Anyway, you'd think that a group like this would be celebrating and championing the cause of Mac users and Apple products, and for the most part this is absolutely spot-on. However, you would THINK that a third of the discussion threads on the front page wouldn't be full of technical errors and problems people were having with Macs. I mean, you would THINK that if fifty-three thousand self-righteous twats saw fit to add themselves to such an obnoxious group, there wouldn't be any problems with Macs at all, right? I mean, for fuck's sake, I know three people who own a Mac, and two of those three had problems in the first THREE FUCKING MONTHS! That's a failure rate of 66% among the three people I know, almost as bad as my recent luck with Xbox 360s. A second error in the space of a week after a repair? Sort it the fuck out, Microsoft.



But I digress. The Mac superiority complex doesn't end there, either. When it comes to purchasing the damn thing in the first place, there's the Apple Store to contend with. I swear, if I get another conversation like this in an Apple Store, I'm going to kick a badger across the face:
"Can I help you with anything?"
"No, I'm just browsing thanks."
"Oh". *Saunters off disinterestedly*.

I mean, really? At least attempt the sale, I'm not just there to waste your time. Truth be told, I'd love a Mac, it'd make a few things significantly easier for me. However, I don't feel that convenience is worth forking out the extra £1000 necessary to enjoy the Mac experience to the standard I want.

I'll give you an example. The Apple iMac MB952B/A (there'll be a link in a minute, don't panic!) is somewhere in the region of the kind of specification I'd like. However, let's run this specification by the list that I ended up putting into my fabled "Rig O' Win".

MAC: 2.66GHz Dual-core Intel. ROW: Quad-core 2.41GHz AMD.
MAC: 4GB DDR3 RAM. ROW: 4GB DDR2 RAM.
MAC: 1TB HDD ROW: 500GB HDD.
MAC: 512MB Graphics Card. ROW: 512MB Graphics Card.
And so the list goes on.

Now, you'll notice a trend here: For the most part, the Mac just edges out my ROW with a slight increase on a few bits, but for the most part the ROW holds its own. Now, how much price difference do you think there is between the two? Bearing in mind I built the ROW myself, with parts salvaged from a meteorite from Planet Win. Alright, fine, so that's all lies.

I bought it from Aria, and Planet Win is not a planet at all, but a site named E14. Fair enough, the screen's 27" on the Mac, which is pretty cool, but I have a 22" screen which does me fine, so I'm totally set for screen size. Besides which, since the tower for my rig is built separate, and the computer's not built into the monitor, it doesn't mean that the entire computer's fucked necessarily if something goes wrong.

Anyway, the price difference can be illustrated Here, where you find that the Mac retails for an RRP of £1869.99. My Rig O' Win? £578.22. Now, fine, my rig does crash occasionally, but for less than a third of the price it's well worth the price. Plus it runs Crysis. Good enough.



Another thing that caught my eye in this Facebook group was a topic about how awesome the iPad was going to be, and how everyone who didn't think so was an idiot. What made me laugh, first of all, about this discussion thread, was how the guy responded to someone who made some valid points about how it wouldn't be awesome. He was one of those people who says "Everything I say is true and absolute! Disagree? That's your opinion" and doesn't get the irony.

Newsfalsh: The iPad isn't going to change the world. What it is, this iPad, is essentially a glorified iPod Touch with a much larger screen. You know how Nintendo have released the DSi XL, which is just a chunkier version of the DSi? It's the same premise. True, the iPad will benefit from a slightly improved processor and probably some larger storage memory, but you can't make phone calls on it, like the iPhone, and it doesn't come bundled with an Operating System, like a Tablet PC. Fine, eventually there'll probably be an app that'll do this stuff, but in the meantime you'll be paying for a largely useless slab of electronics. For example, for a similar price to the projected price of the iPad, you can pick up the Alienware M11X laptop. A sexy piece of kit, I'm sure you'll agree. Plus it'll run an OS and games.



And who the hell decided iTunes and iPods were the way forward? Don't get me wrong, again, I use iTunes and I have an iPod. In fact, I've had two in the space of five years. Not out of choice, by the way. My first iPod developed problems after two years, showing a sad little face with the look of death upon it. I took this as a bad sign, and a quick visit to the iPod home page confirmed my fears. Off I went, then, to purchase a new one. At £239 for an 80GB video iPod, the purchase was a good deal at the time. Of course, a month later they released an iPod at twice the size for the same price, but you know, musn't grumble.

Now, I like iTunes, but they've got some arse-backwards rules. For instance, I bought a shitload of music from iTunes before they took off the DRM after a massive backlash from fans like myself who wanted to be able to back up their legally purchased music without having limits imposed on it. Now, regardless of your feelings towards DRM (or Digital Rights Management for those who aren't acronym-savvy), it's doubtlessly apparent that stuff you purchase should be yours to do with as you please. Incidentally, this isn't just the fault of iTunes, as apparently it's technically illegal to rip music from CDs you own. Arse-backwards, thy name is piracy regulations.

Now, once they changed the DRM rules, everything you purchase on iTunes now comes with no DRM attached, leaving you free to make mp3 copies of everything you buy, with iTunes finally giving you the benefit of the doubt that you're not going to be Pirate McArsehole and distribute absolutely everything over file-sharing. Incidentally, a bit of trivia for you: Pirate McArsehole was among the character names rejected for Dickass DM.

So you would think, wouldn't you, that the new iTunes rules would apply to the stuff I purchased before the rule came into effect? Wrong, motherfucker. Apparently it'll cost me sixty-five pounds to update all the songs I've previously purchased. How crap is that? Admittedly, that's about three hundred quid's worth of music, and I'm sure other people have spent more, but that's three hundred quid I could've spent on other things that didn't require DRM faffing. Like a couple of spare 360s for the inevitable downfall of mine.



I know I keep on, but it still hurts, ok?

My name's Robert Wade, I'm a blogger, and I cut together everything you see here on the Rig O' Win.

Cock off, Apple snobs. Cock off.
In the summer of 1812, before the Oprichniki came to the help of Mother Russia in her fight against Napoleon, one of their number overheard a conversation between his master, Zmyeevich, and another. He learned of a feud, an unholy grievance between Zmyeevich and the rulers of Russia, that began a century earlier at the time of Peter the Great.

Aleksandr made a silent promise to the Lord. God would deliver him - would deliver Russia - and he would make Russia into the country that the Almighty wanted it to be. He would be delivered from the destruction that wasteth at noonday, and from the pestilence that walketh in darkness - the terror by night...1825.

Russia has been at peace for a decade.

Bonaparte is long dead and the threat of invasion is no more. For Colonel Aleksei Ivanovich Danilov, life is calm. The French have been defeated, as have the twelve monstrous creatures he once fought alongside, and then against, all those years before. His duty is still to his tsar, Aleksandr the First, but today the enemy is merely human.

However, the tsar himself knows he can never be at peace. He is well aware of the uprising fermenting within his own army, but his true fear is of something far more terrible - something that threatens to bring damnation upon him, his family and his country. Aleksandr cannot forget a promise: a promise sealed in blood...and broken a hundred years before.

Now the victim of the Romanovs' betrayal has returned to demand what is his. The knowledge chills Aleksandr's very soul. And for Aleksei, it seems the vile pestilence that once threatened all he held dear has returned, thirteen years later.

Thanks to our friends at Bantam Press, we've got three copies of Jasper Kent's Thirteen Years Later and the first installment, Twelve, to give away! For your chance of winning one, send us an e-mail to twelvegiveaway@rocketmail.com with your name and postal address before midday on Monday 5th April (UK time). The first three names drawn out of the electronic hat will win a free copy of each!